Communications in Scientific Meetings

  • Portovedo, H., & Lopes, P. F. (2014). Augmented Musical Performance. Paper presented at the MUSA, Fifth International Symposium on Music/Sonic Art: Practices and Theories, Karlsruhe.

  • Portovedo, H. (2015). Open Closed: A Non-Linear Musical Performance Framework Paper presented at the 12o Encuentro de Ciencias Cognitivas de la Música, San Juan.

  • Portovedo, H., & Lopes, P. F. (2016). Conceiving Involuntary Movements as Musical Performance Tools. Paper presented at the 2016 Porto International Conference on Musical Gesture as Creative Interface, Porto.

  • Portovedo, H., & Lopes, P. F. (2017). The Multidimensionality of Contemporary Music Practice. Paper presented at the I Simpósio Internacional de Investigação em Arte.

  • Portovedo, H. (2017). O Estado da Arte no Ensino Especializado da Música: Integração da contemporaneidade estética e sistemas musicais interativos na criação e performance. Paper presented at the 1oCongresso Ensino Artístico Especializado Lisboa, Fundação Calouste Gulbenkian.

  • Portovedo, H., & Lopes, P. F. (2017). The Multidimensionality of Contemporary Music Practice. Paper presented at the International Symposium on Performance Science 2017, Reykjavík.

  • Portovedo, H., & Lopes, P. F. (2018). Composition Models for Augmented Instruments and New Interfaces: HASGS as Case Study. Paper presented at the NCMM18, Nova Contemporary Music Meeting: Composing Music Today, Lisbon.

 

Lecture Recitals and Workshops in Scientific Meetings

  • Portovedo, H. (2014). The Augmented Saxophone. In. Cuidad Real: EURSAX’14, I European Saxophone Congress.

  • Portovedo, H. (2015). Sofomania in Senatus In. Strasbourg OpenSax, World Saxophone Congress.

  • Portovedo, H. (2017). New Paradigms of Music Distribution. In. Porto: Eursax’17, II European Saxophone Congress.

  • Louzeiro, P., Portovedo, H., (2018). Comprovisação no9. In. Limassol: SMC, 15th Sound & Music Computing Conference: Sonic Crossings.

  • Portovedo, H. (2018). Augmented Saxophone Performance: Mixed music for Saxophone In. Zagreb: World Saxophone Congress

  • Portovedo, H. (2018). Workshop, Multidimensionality of Contemporary Performance: Prototyping Augmented Instruments. In. Daegu: ICMC 2018, International Computer Music Conference.

  • Portovedo, H., Duplessis, R., & Engart, S. (2018). Music for HASGS and Saxophones. In. Daegu: ICMC 2018, International Computer Music Conference.

  • Portovedo, H. (2018). I Encontro de Loopists: O uso do Live Looping na performance musical. In. Aveiro: Universidade de Aveiro.

     

Publications: Articles and Book Chapters

  • Portovedo, H., & Lopes, P. F. (2015). Conceiving an Augmented Musical Performance Framework: Spaces. Paper presented at the 1st International Conference on New Music Concepts (ICNMC 2015), Treviso.

  • Portovedo, H., & Lopes, P. F. (2015). Soundgrounds: An approach to the evolutionary aesthetics of computer mediated music performance. Paper presented at the EAW2015 Electroacoustic Winds: A Tecnologia ao Serviço da Criação Musical, Aveiro.

  • Portovedo, H., & Lopes, P. F. (2015). Impulsus: Multidimensionality of an Augmented Performance Paper presented at the Performa’15: International Conference on Music Performance Aveiro.

  • Portovedo, H., & Lopes, P. F. (2017). Augmented Musical Performance Paper presented at the xCoAx 2017: Fifth Conference on Computing, Communication, Aesthetics & X, Lisbon.

  • Portovedo, H., Lopes, P. F., Mendes, R., & Wanderley, M. (2017, 9-10 February ).Performance Augmentation: An hybrid augmentation based on gestural behaviour. Paper presented at the 5PRAE – 5th Encounter on Practices of Research in Arts Education, Porto.

  • Portovedo, H., Lopes, P. F., & Mendes, R. (2017). Saxophone Augmentation: An hybrid augmented system of gestual symbiosis. Paper presented at the Proceedings of the 8th International Conference on Digital Arts, Macau, China.

  • Portovedo, H., Lopes, P. F., & Mendes, R. (2018). HASGS Generating Visual and Graphical Feedback. Paper presented at the EAW 2017 Electroacoustic Winds: SYNCHRESIS – Audio Vision Tales, Aveiro.

  • Portovedo, H., Lopes, P. F., & Mendes, R. (2018). HASGS: The Repertoire as an Approach to Prototype Augmentation. Paper presented at the ICLI 2018, 4th International Conference on Live Interfaces: Inspiration, Performance, Emancipation, Porto.